“This one is what we call the sub-solid Mandelbrot world. We had different stories about how to explain this one until we nailed that down into having those hands climbing on him and then having this little ‘Mini-me’ into his eye. This one was more like he’s getting into the fractal world with constantly moving pieces and evolving pieces around him that are made of some kind of a sand-like material. This was also a very interesting point for the story because the whole story is about his hands, how he can get his hands back after the accident.” – Method Studios vfx supervisor Olivier Dumont.