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vfx journalist Ian Failes

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  • Going through a phase: DNEG on Ant-Man and the Wasp’s Ghost effects
  • Finding ‘Indo’ – how ILM made Fallen Kingdom’s Indoraptor a different dinosaur
  • Three character challenges from Hotel T 3
  • Fallen Kingdom: the film before the film
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  • The saddest moment in Jurassic World: Fallen Kingdom was also one of the most beautiful
  • A lion and a Mosasaurus: how those fun end moments of Jurassic World: Fallen Kingdom came to be
  • Cat litter and other unexpected fx solutions derived for Fallen Kingdom
  • The best of both Jurassic worlds: practical and digital

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Most read stories

  • Finding ‘Indo’ - how ILM made Fallen Kingdom’s Indoraptor a different dinosaur
  • The best of both Jurassic worlds: practical and digital
  • Going through a phase: DNEG on Ant-Man and the Wasp’s Ghost effects
  • A lion and a Mosasaurus: how those fun end moments of Jurassic World: Fallen Kingdom came to be
  • The saddest moment in Jurassic World: Fallen Kingdom was also one of the most beautiful
  • OK, what is this Megascans thing?
  • More Joi: how the giant ‘Blade Runner 2049’ hologram shot was pulled off
  • Deadpool 2’s what the...!? scene and how it was made
  • The secrets behind the life (and death) of Titanic's propeller guy

Retro vfx: Titanic

The secrets behind the life (and death) of Titanic’s propeller guy
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jab_MummyDesk

John Berton at ILM working on The Mummy.

Posted on May 27, 2017May 27, 2017Full size 960 × 624

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Published inBefore you see Tom Cruise’s ‘The Mummy’, re-visit the digital make-up, mocap and other VFX innovations from the 1999 film
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