Why ‘Air Force One’ has some of the most talked about visual effects in history

AIR FORCE ONE_V1
Illustration by Aidan Roberts.

When Wolfgang Petersen’s Air Force One was released 20 years ago this week in 1997, it would be one of Boss Film Studios’ very last visual effects projects before founder Richard Edlund shut the effects company’s doors. The studio spectacularly delivered and destroyed a number of intricate miniature aircraft for the show. It also dived into several CG plane shots, including the scene of Air Force One crashing into the ocean, one that was perhaps not as spectacular.

That means that Air Force One is unusually remembered for both its intense and immensely watchable air-to-air sequences realised with models and live action photography, and for the final CG watery plane crash that did not meet the expectations of the filmmakers and the audience.

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Richard Edlund.

For the film’s 20th anniversary, vfxblog spoke to Edlund – the film’s overall visual effects supervisor (James E. Price was Boss Film’s VFX supe on the show) – to discuss the approach to the models and miniatures, the rise of digital compositing, the end of Boss, and that final crash shot. Plus, the interview includes a bunch of unique behind the scenes CG model frames from Boss’ digital aircraft.

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