“Bob had said to Meryl Streep: ‘Whatever Ken asks you to do, no matter how silly, just go with it. You can trust him.’ Because she must have been thinking, ‘What am I? What is this stupid thing?’ – Death Becomes Her visual effects supervisor Ken Ralston.
By the early 1990s, ILM had already been innovating in digital visual effects in a major way with films such as The Abyss and Terminator 2: Judgment Day. Then came along Robert Zemeckis’ Death Becomes Her. It would be released in 1992 and go on to win the Academy Award for Best Visual Effects, thanks to more innovation from ILM and practical creature effects by Amalgamated Dynamics, Inc.
Death Becomes Her celebrates its 25th anniversary this week, and vfxblog goes retro on all the head twisting and stretching and stomach hole making work in the film with visual effects supervisor Ken Ralston. We discuss his long-time collaboration with Zemeckis, coming up with on-set solutions, experimenting with software and human skin texturing, and what’s changed in visual effects from then up until today.