In the coming days I’ll have a bunch of coverage of the visual effects of Star Wars: The Last Jedi, based on a visit I made to ILM London just before Christmas. First up is a look at that stunning and surprising hyperspace moment when Vice Admiral Amilyn Holdo (Laura Dern) slams the Raddus – mid-hyperdrive – into Supreme Leader Snoke’s ship, the Supremacy.
The resulting white streak of an explosion is a heart-wrenching moment of sacrifice played out in complete silence. Overall visual effects supervisor Ben Morris from ILM initially thought the sequence might involve a ton of complex destruction effects simulations, but director Rian Johnson had something else in mind. Continue reading ILM’s ‘The Last Jedi’ visual effects supervisor on how that Holdo hyperspace scene surprised even him
Check out the new issue of 3D World magazine – I had such a fun time working on stories about The Last Jedi, Massive’s new horse and rider agent, and about Houdini’s procedural toolsets.
I’ve had a lot of fun over the years writing about invisible fx work, and this new piece at VFX Voice’s website covers Image Engine’s work in Detroit, Chimney’s Atomic Blonde vfx and Dneg’s seamless Baby Driver augmentations.
Go and see Paddington 2. Just see it. It’s so good. Here’s a look at how Framestore pulled off that cool pop-up book sequence, at VFX Voice.
For Cartoon Brew, I talked to vfx supervisor James E. Price about the miniaturization work in Downsizing. Loved this film.
Jumanji: Welcome to the Jungle has incredible CG work, but also a host of other visual effects. Check out my coverage at Cartoon Brew.
Combining effects can be the best kind of effects. Read my behind the scenes look at the film at Cartoon Brew.