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Latest VFX Voice pieces…there’s a lot
The latest VFX Voice magazine – January 2018 – has a whole bunch of features I was able to contribute to, and I’ll run through them over the next few days. First up is a piece looking at the VFX Oscar contenders.
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Crafting Crait: ILM’s VFX supe on how Rian Johnson wanted to go ‘redder, redder, redder’
Scenes of ships darting across a salt flat-like looking environment and tearing up shards of red crystals permeated the early trailers for The Last Jedi. But what was this world, and what was the major battle teased there? The final film revealed the location to be Crait, the location of an old Rebel base where…
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How to: Rey & Kylo vs. Snoke’s Elite Praetorian Guard
The moment Rey and Kylo Ren take on Snoke’s Elite Praetorian Guard’s is one of the many highlights from Rian Johnson’s The Last Jedi. I’ll have more on how Industrial Light & Magic crafted Snoke soon, but here’s overall visual effects supervisor Ben Morris on how that lightsaber fight scene, which was overseen by ILM…
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ILM’s ‘The Last Jedi’ visual effects supervisor on how that Holdo hyperspace scene surprised even him
In the coming days I’ll have a bunch of coverage of the visual effects of Star Wars: The Last Jedi, based on a visit I made to ILM London just before Christmas. First up is a look at that stunning and surprising hyperspace moment when Vice Admiral Amilyn Holdo (Laura Dern) slams the Raddus –…
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New 3D World mag goes deep on The Last Jedi, Houdini and Massive
Check out the new issue of 3D World magazine – I had such a fun time working on stories about The Last Jedi, Massive’s new horse and rider agent, and about Houdini’s procedural toolsets.
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Invisible fx in Baby Driver, Atomic Blonde and Detroit
I’ve had a lot of fun over the years writing about invisible fx work, and this new piece at VFX Voice’s website covers Image Engine’s work in Detroit, Chimney’s Atomic Blonde vfx and Dneg’s seamless Baby Driver augmentations.
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Paddington 2 pop-up fun
Go and see Paddington 2. Just see it. It’s so good. Here’s a look at how Framestore pulled off that cool pop-up book sequence, at VFX Voice.
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Downsizing is a great addition to a rich history of miniaturization effects films, without being an effects film
For Cartoon Brew, I talked to vfx supervisor James E. Price about the miniaturization work in Downsizing. Loved this film.
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Jumanji’s CG and other effects
Jumanji: Welcome to the Jungle has incredible CG work, but also a host of other visual effects. Check out my coverage at Cartoon Brew.
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Dry for wet, practical suits and CGI – how effects techniques were combined in ‘The Shape of Water’
Combining effects can be the best kind of effects. Read my behind the scenes look at the film at Cartoon Brew.
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