The last-minute roto tool that saved the ending of ‘Death Becomes Her’

dbh_ending

I recently spoke to visual effects supervisor Ken Ralston about his work at ILM on Death Becomes Her for the 25th anniversary of the film. The interview received some surprising attention; the film might not have been a hit but the practical make-up effects by ADI and ILM’s innovative ‘digital wizardry’ both continue to be fondly remembered.

Another ILMer on the show, Alex Seiden (who had worked on Terminator 2 and would go on to contribute to Jurassic Park), contacted me with a super-fun story about his last minute work on Death Becomes Her’s end scene – where Meryl Streep and Goldie Hawn’s characters are at this point only their heads talking to each other, after they both take a major tumble down some stairs at a funeral. The shot was a long one – over 20 seconds – and was filmed as separate motion control passes that needed A LOT of hand roto in a very, very short space of time.

Below, Seiden relates how he helped make that possible. But first, watch the scene.

Continue reading The last-minute roto tool that saved the ending of ‘Death Becomes Her’

Head stretching and stomach holes: re-visiting the visual effects of ‘Death Becomes Her’

Death_Becomes_Her_V1
Illustration by Aidan Roberts.

“Bob had said to Meryl Streep: ‘Whatever Ken asks you to do, no matter how silly, just go with it. You can trust him.’ Because she must have been thinking, ‘What am I? What is this stupid thing?’ – Death Becomes Her visual effects supervisor Ken Ralston.

By the early 1990s, ILM had already been innovating in digital visual effects in a major way with films such as The Abyss and Terminator 2: Judgment Day. Then came along Robert Zemeckis’ Death Becomes Her. It would be released in 1992 and go on to win the Academy Award for Best Visual Effects, thanks to more innovation from ILM and practical creature effects by Amalgamated Dynamics, Inc.

Death Becomes Her celebrates its 25th anniversary this week, and vfxblog goes retro on all the head twisting and stretching and stomach hole making work in the film with visual effects supervisor Ken Ralston. We discuss his long-time collaboration with Zemeckis, coming up with on-set solutions, experimenting with software and human skin texturing, and what’s changed in visual effects from then up until today. Continue reading Head stretching and stomach holes: re-visiting the visual effects of ‘Death Becomes Her’