Alexander Payne’s Downsizing, soon in theatres, marks the latest in a rich history of films that have dealt with miniaturisation – that is, showing shrunken-down characters in a real-sized world.
Films such as Fantastic Voyage, Inner Space, Willow, Honey, I Shrunk the Kids, Hook, The Indian in the Cupboard and Ant-Man are all ones that have used different visual effects techniques to go small. These techniques have ranged from forced perspective, over-sized sets, shooting on blue or greenscreen and of course digital means.
“I’ve always told people that when you have a movie that’s fairly complicated be sure to have a talking pug dog in it, because then you can fix things after with the same pose.” – Eric Brevig, Men In Black visual effects supervisor
Twenty years ago, Barry Sonnenfeld delivered the quirky action sci-fier Men in Black, starring Will Smith and Tommy Lee Jones, to adoring audiences. It is a film also adored for its combination of practical and digital effects, mixing Rick Baker’s makeup and creatures through this Cinovation Studios, with Industrial Light & Magic’s CG and miniatures handiwork. Several other studios – practical and digital – also contributed.
To celebrate the film’s two decade anniversary, vfxblog spoke to visual effects supervisor Eric Brevig about Men in Black’s aliens, humans who are actually aliens, and about the range of models and miniatures used in the show. We also dive into the major plot changes and plot fixes enabled via visual effects, plus the secrets Brevig learnt from Sonnenfeld in making comedic moments. Continue reading ‘Men in Black’ and its crazy collection of real and CG creatures