Tag: vfxvoice

For VFX Voice magazine, I looked back at some of the big ticket innovations ILM introduced with each Star Wars film. Loved the history here.

What a thrill to chat to ILM vfx supe Ben Morris about The Last Jedi (we did this a few months before the film was out – it was tough!). VFX Voice magazine has the story.

Anyone who saw Jumanji in the 90s knew that CG and VFX was already changing films forever. I got to chat to former ILM animation supervisor and now director Kyle Balda about his work on it, for VFX Voice magazine.

One of my favourite articles to write this year: a look at The Shape of Water effects with Legacy and Mr. X, for VFX Voice magazine.

The January 2018 issue of VFX Voice has a piece I wrote on Oats Studios, Neill Blomkamp’s experimental outfit.

The latest VFX Voice magazine – January 2018 – has a whole bunch of features I was able to contribute to, and I’ll run through them over the next few days. First up is a piece looking at the VFX Oscar contenders.

I’ve had a lot of fun over the years writing about invisible fx work, and this new piece at VFX Voice’s website covers Image Engine’s work in Detroit, Chimney’s Atomic Blonde vfx and Dneg’s seamless Baby Driver augmentations.

Go and see Paddington 2. Just see it. It’s so good. Here’s a look at how Framestore pulled off that cool pop-up book sequence, at VFX Voice.

VFX Voice features this story on MPC’s Rachael work in Blade Runner 2049. Had fun writing this one.

I found out from Framestore how Massive was a big part of their final battle work in the film. See VFX Voice.